Dervish" literally means "doorway" and is thought to be an entrance from this physical world to the spiritual, heavenly world.
The Sema ceremony represents the human being's spiritual journey, an ascent by means of intelligence and love to Perfection . Turning toward the truth, he grows through love, transcends the ego, meets the truth, and arrives at perfection. Then he returns from this spiritual journey as one who has reached maturity and completion, able to love and serve the whole of creation and all creatures without discriminating in regard to belief, class, or race.
Semazens who perform sema commune with God through revolving around themselves. The act of whirling, while revolving on its own axis symbolising the earth or planets while orbiting the Sheikh who symbolises the sun or possibly God.
This confirms with comonly agreed view point of our culture that the fundamental condition of our existence is to revolve. We live in a world of revolving, everything revolves, electrons, protons and neutrons in the atoms or the universe with its constituents. But man is the possessor of a mind and intelligence which distinguishes him from and makes him superior to other beings. Thus the "whirling dervish" or Semazen causes the mind to participate in the shared similarity and revolution of all other beings… Otherwise, the Sema ceremony represents a mystical journey of man's spiritual ascent through mind and love to "Perfect." Turning towards the truth, his growth through love, desert his ego, find the truth and arrive to the "Perfect," then he return from this spiritual journey as a man who reached maturity and a greater perfection, so as to love and to be of service to the whole of creation, to all creatures without discrimination of believes, races, classes and nations.
In sema, every act or garment worn has a meaning. The semazen's camel hair hat (sikke) symbolises the tombstone of the ego; his wide, "white skirt" symbolises the ego's shroud. By removing his "black cloak", he is spiritually reborn to the truth. At the start of sema, by holding his arms crosswise, the semazen appears to represent the number one, thus testifying to God's unity. While whirling, his arms are open: the right palm faces up and the left palm faces down. He is ready to receive God's blessing and convey it down to earth to mankind.
Revolving from right to left around the heart, the semazen embraces all humanity with love. The human being has been created with love in order to love. Mevlâna Jalâluddîn Rumi says, "All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!" The Sheikh stands for the sun and the Dervishes for the planets.
During Sema itself there are four selams, or distinct rhythms. At the beginning, during and end of each selam, the semazen testify to God's existence, unity and power.
The First Selam represents the human being's birth to truth through feeling and mind. It represents his complete acceptance of his condition as a creature created by God.
The Third Selam is the rapture of dissolving into love and the sacrifice of the mind to love. It is complete submission, unity, and the annihilation of self in the Beloved. This is the state that is known as nirvana in Buddhism and fana fillah in Islam. The next stage in Islamic belief is the state of servant hood represented by the Prophet, who is called God's servant foremost and subsequently His 'Messenger.' The aim of Sema is not uncontrolled ecstasy and loss of consciousness, but the realization of submission to God.
In the Fourth Selam, just as the Prophet ascends to the spiritual Throne of Allah and then returns to his task on earth, the whirling dervish, after the ascent of his spiritual journey, returns to his task, to his servant hood. He is a servant of God, of His Books, of His Prophets, of His whole Creation.
The dervishes silently perform sema, making small, controlled movements of hands, head and arms as they whirl. They are accompanied by music, often dominated by the haunting sound of the reed pipe or "ney", as well as drums and chanting as the ritual gradually transforms itself into rapid, spinning ecstasy.
The Whirling Dervishes played a vitally important role in the development of Ottoman culture. From the fourteenth to twentieth century, they had a great impact on classical poetry, calligraphy and the visual arts. Perhaps their greatest achievement, was in the area of music. Mevlana Celaleddin-i Rumi and his followers integrated music into their rituals as an article of faith. In his verses, he emphasized that music uplifts our spirit to realms above, and we hear the tunes of the Gates of Paradise.
On December 17, Whirling Dervishes across the world celebrate the birth of Mevlana Celaleddin-i Rumi, a mystic poet, who founded the Mevlevi Order that is a spiritual sect of Islam.